Dreamwork as Spiritual Practice

Category: Dream Images

Dreaming Our Joy

A joyous dream is like the precious seed of an heirloom vegetable: a potential-packed kernel of our essential, ancestral inheritance. We all come from dreamers, and we’ll all pass on our legacy to other dreamers. That legacy is not only conveyed through life lessons and practices, it is also fundamentally a transferal of inspiration, through joy. Dreams that bring joy will plant themselves in our hearts and flourish there, growing and flowering outward to bless others, providing sustainable nourishment with their colorful (though maybe oddly-shaped) fruits. Our sweet dreams can inspire us with the same joy that gave our ancestors hope in difficult times, making hard-won wisdom more palatable and easier to digest. So, even as we dig deep in our dreamwork, laboring to cultivate wisdom and skills that we can pass on to our own descendants, let us cherish and share the dream-seeds of joy. 

Joyous dreams need very little working; they are immediately meaningful and only require our willingness to receive them. Each dreamer has a dream iconography for joy: images that signal the presence of hope, comfort, connection, sweetness or fun. For me, yellow birds (goldfinches, Wilson’s warblers, evening grosbeaks) come in dreams often when I’m grieving, to recall my own soul to me, bringing light in the dark. Flight and song are two qualities that make birds likely harbingers of joy in dreams. Do you dream of birds? Do you fly with them? Sing with them? Can you feel their brightness?

Music features in many of our joyous dreams, too. Sometimes, I dream of singing or playing an instrument in a public place where others join in spontaneously, so we become a “flash mob” of sheer exuberant playfulness. I sing “Oh What A Beautiful Morning!” or “Let’s Go Fly A Kite!” and the music makes me emerge from sleep “with a song in my heart.” These dreams remind me of a dream-like waking experience I had in my teens… I was riding a Boston subway at rush hour in August after a long workday, standing pressed against sweaty strangers, when I started contrarily singing “Jingle Bells” under my breath. Other passengers caught the mood and soon a dozen of us were singing Christmas carols (some could actually carry a tune). We started with the jaunty melodies, releasing our inhibitions and forgetting our weary misery with unseasonable mirth. Then something shifted; we began to harmonize, our voices softened. Eventually I stepped off that baking hot subway car on that sunny afternoon as the cool, gentle glory of “Silent Night” rose behind me. Joyous dreams can make memorable music like that, too, transcending our expectations with a paradoxical blend of merriment and holiness.

When I was younger, I felt the giddy bliss of my joyous dreams mostly in my throat, as if I had literally swallowed a song and couldn’t contain it. Such dreams were fresh winds lifting me; I woke up weightless. But these days I feel my joyous dreams deep in my chest or belly, and I dream of swimming, diving downward. I wake up trusting, supported by the liquid density of the dark, safe waters that surround me.

Swimming in the Stone Cellar: A friend takes me to a famous healing spring in the off-hours, at night, when no other swimmers are present. The spring is located in the stone-walled cellar of a ruined stone building. Perfectly clear cool water fills the cellar to the top of the steep stairs. We descend the steps, and swim down to where we can pass from room to room underwater, exploring. It is beautiful and spacious and deep—the water so pure that it is essentially invisible, like swimming in clear air. 

Later, we return during the daytime, for a last swim before we will have to leave (we’re traveling together, visiting sacred sites like this one). Now there’s a line of people waiting for access, and  groups of 10 or 12 at a time are admitted to swim together in the healing spring. It won’t be quite as awesome as swimming in the privacy of the night, but I’m still looking forward to the water, and to sharing this wonder with others.

I needed this dream, and I still feel the joy of it like the tingly glow of warming skin after a plunge in cold water. Health setbacks over the past year repeatedly broke my spirit, leaving me, sometimes, without strength, courage or hope. Worldwide crises—COVID, plus environmental, political, economic and social disasters—have been dreadful in ways shared by by virtually every living being, and yet perhaps the most terrible aspect of these crises is how they have cut us off from each other. Joyous dreams are holy healing springs, miraculously bubbling up in the stone ruins of our lives, and their restorative waters invite us to dive deep. As in my dream, we will find joyous restoration in the peaceful privacy of the night with those closest to us, but it is also vital that we “return later, in the daytime” to share joy with others. Overcoming our “social distancing” to recover our trust in one another, our trust in potential healing—this is the challenge we face now, and as we heal, individually and collectively, we will rely on our joyous dreams to remind us that happiness is still possible. We can help each other to remember this by sharing the joy whenever possible.

As I was working on this article, I received a couple of dreams from dreamers sharing their joy. Both dreams describe meaningful transformation. They are not just expressions of joy itself, but also convey change: an emergence into joy from something perhaps less easy to share. In one dream, there’s a movement from heavy greyness or meaninglessness into sacred space, and in the other a movement from night into morning. In both cases, the brightness of joy seems more fully felt because of the darkness that precedes it. This visceral contrast invites those with whom the dream is shared to resonate with joy: we recognize darkness or heaviness in ourselves, and then respond with relief to the bright opening that the dream represents. I’m grateful to these two dreamers for their sharing, and delighted to be passing their joy on to you. I’m also grateful to my own dreams—particularly those that have followed a similar pattern of emergence from difficulty or crisis into an unexpected joy—so I offer you one of these as well. It felt fitting to render these dream-gifts and my responses as a kind of conversation. May you en-joy all three, and dream on from there.

*

First Dreamer:

“I am a novice in a convent in a city that has a Mediterranean feel. I am looking at an arched stone window just before dawn. Another novice and I climb out the window and onto the red tile roof, looking across the city. As the sky lightens, the bells all over the city begin to ring, making loud booming noises I can hear through the soles of my feet, making a beautiful harmony. I begin to chant, ‘Bells, bells, bells!’  When I awake, I am still saying/singing to myself, ‘bells, bells, bells,’ and there is a feeling of euphoria at the dawn and the sounds.”

My Response:

I love the embodiment that this dream expresses, as the bells are not only heard but actually felt “through the soles of my feet” and echoed in the chant of “Bells, bells, bells!” The ringing joy is a heady, euphoric experience shared with another “novice,” and also a grounding experience that reverberates through the body; the sound is in the air and in the earth itself. Climbing out through the window and seeing the city from the rooftop suggests actively coming out of a private world and into a collective one, going out to meet the day and the “bells, bells, bells” that might be an inside-out version of the words “bless, bless, bless.” This dream carries a promise of blessing and a dawning of hope. May it be so.  

Second dreamer:

“…in the middle of this grey and uncomfortable landscape I had a lovely vision of a protected space, like a bower, with a nuthatch in it. It was a beautiful and sacred place graced with this lovely bird. The image stayed with me and I painted it. By the time I was done, I was very happy! I started to see nuthatches at my feeder shortly afterwards. They had not visited me before.”

My Response:

This dream charmed me because nuthatches have brought me joy since I was a child. These birds have an ungainly shape, but a crazy kind of grace as they zig-zag around the trunks of trees: up, down and sideways. They sound off with a nasal “beep, beep, beep” (a comic version of the “bells, bells, bells” in the previous dream) which can be hilarious when fledglings chorus together, practicing their calls like kids talking over one other, all trying to tell some big news first. Dreaming of this bird in a sacred context, and then being visited by nuthatches in waking life invites simple delight as much as awe. The nuthatch overturns expectations, representing a humble yet powerful beauty and dignity. If we prepare sacred, protected places within ourselves and in our world to welcome these messengers of joy, they will indeed visit.

Third Dreamer (me):

 I’m on a crowded bus. As we come to a narrow, winding mountain road, I see that the driver has abandoned his seat. Horrified, I take the seat and try to keep the bus in its lane, but steering is difficult and visibility is poor; I can’t control this huge vehicle so I keep swinging into the oncoming lane, narrowly avoiding accidents. I can’t keep this up for long. 

Then we’re going backward. There’s a driver’s seat at the other end of the bus, so I rush back there, and find a small girl driving this big rig! I can’t imagine how she’s doing it, but she’s managing. We’re coming into the city now, approaching the terminal. We need to slow down. I tell her to put her whole weight on the brake; her legs are too short so she has to release the steering wheel and slide off the seat to get both feet onto the brake pedal, slowing us just enough. As we hit the rear wall of the garage, I throw myself over her to shield her from the impact. The windshield cracks but doesn’t shatter, and there’s only a bump. 

We’re safe and everyone is cheering. I hug the girl, telling her how incredibly brave and capable she is. I’m filled with love and joy.

My Response:

Joy is intergenerational: we pass it on to our children along with the burdens and responsibilities we also hand over to them. This dream has many personal associations for me, but the collective story seems more interesting: the feeling here isn’t just relief at averting catastrophe, it’s an individual triumph extended to and for everyone on the journey. The passengers all cheer as they feel what I’m feeling, what the Buddhist tradition calls sympathetic joy—delight in the happiness or success of others (which benefits us all). There’s a profound shift from the front of the bus where the adult (“I”) struggled for control, to the back of the bus where a child has assumed the driver’s seat. My joy, as the adult, comes from seeing the child succeed where I could not. My role is to encourage and protect rather than to drive, and I can throw my whole body into that role just as the child throws her whole weight onto the brake pedal to slow us down. 

Sympathetic joy, shared joy, is essential to us as a species. Our survival depends on our delight in one another as we recognize that everyone on this bus is essential: some of us drive, some of us witness, all of us cheer each other on. Thank you for being essential, and thank you for your joy—wherever you find it.

[This article was originally published in two parts, in the Fall, 2021 and Winter, 2022 issues of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Dream Alchemy

[Welcome back to Compass Dreamwork! After a three year sabbatical, I’m finally emerging from hibernation, blinking in the sunlight, ready to reconnect. It’s been a difficult time for many of us, and it’s good to return to my dreaming community, to share ideas and, I hope, hear from some of you as well. Instead of writing a regular blog, I’ll be opening up the conversation by posting articles each month that were originally published in my “Dream Alchemy” column for DreamTime magazine. If you’re a member of the International Association for the Study of Dreams, you might have seen the column, but if not, the articles will be new to you. From time to time, I’ll be sharing other essays and excerpts from various projects I’m working on. I hope you enjoy reading what I’ve written, and I invite your comments. ]

Each night as we sleep, the caldron begins to bubble. Unremarkable raw materials, mixed with infinitesimal droplets of mysterious tinctures, get cooked down to their essential elements. A cleansing steam rises as the impurities are filtered out, and the elements interact in new combinations—sizzling, sparking, shrinking and expanding, changing color. The pungent catalyst of emotion sets off a chemical reaction. Images appear in the drifting smoke. Occasionally, something explodes. Sometimes we have to discard the burnt sludge at the bottom of the beaker and begin again, but often there’s a glimmer of gold. Deep transformation can emerge unexpectedly from the chaotic process of dream creativity, rewarding us with bright insights and alchemical treasures: precious metals, the Philosopher’s Stone, the Universal Solvent, or even the Elixir of Immortality. When we begin to experiment with our dreams, we discover that anything is possible.

As we dream, a strange concoction is created. Whether we see this concoction as a psychological experience, a neurological event, a profound message, or an encounter with other worlds, our dreams represent a dynamic aspect of our lives that can inspire us to experiment. As we explore our dreams, we find ourselves delving into the vital essence of our perceptions, our choices, our beliefs, our relationships, our environment. Dreams are strange. They give us plenty of raw materials, but it’s up to us to simmer, stir, titrate, distill and filter those materials, using our tools and skills to realize their potential. We really don’t know what we’re doing when we’re dreaming, but if we bring curiosity and courage to our dream experiences, we can find authentic valuables in this process of alchemical investigation. 

I’m calling this column “Dream Alchemy” because both alchemy and dreamwork have to do with finding meaning and life in a transformative process that includes everything: the worst and the best, the mundane and the miraculous, the corporeal and the ineffable. I’ll be exploring dreams from a wide variety of perspectives, applying what I’ve learned from others and what I’ve discovered through my own alchemical investigations and life experiences.

Because of my particular background and inclinations, I’ll be emphasizing certain aspects of dreams and dreamwork. As a dream alchemist, my apparatus includes: 

1) Working with dreams about death, and particularly the kinds of dreams we have when we are ill, grieving, aging or experiencing big life transitions and thresholds. I’ve been exploring my own death dreams, and studying death dreams in hospice chaplaincy, pastoral care and spiritual direction contexts for many years, and they seem to represent a concentrated quintessence of change and renewal. 

2) Working especially with unpleasant dreams, difficult dreams and nightmares, because they invite the alchemy of transforming heavy, dark substances like lead (or feces) into gold. 

3) Finding meaningful ways that dreams can change the world—exploring the implications of dreamwork as a personal task or quest that can be part of a larger, universal task or quest. The metaphor of dreamwork as pilgrimage is especially significant for me, and I want to explore how the dream-pilgrimage of an individual lifetime reflects and contributes to the shared journey of all living beings, the whole earth, the cosmos. 

4) I’ve been a student of world mythologies all my life, because they express central human existential concerns: the nature and origins of our existence, consciousness, identity, reality. Mythologies and dreams are manifestations of our longing for the Philosopher’s Stone, our endless search for meaning, which can be conveyed as story, rich with metaphor, paradox and mystery.

5) Fun and creativity! I love turning dreams (and waking life) upside down and inside out, like an alchemist messing about with ingredients, stirring up and sometimes exploding the “stuff” of our waking and dreaming experiences so that new and surprising substances can come into being.

There’s a lot of dream alchemy ahead in this column… so, watch this space! 

Here’s a dream, to play with:

Giving Away the Marble: An older, wiser woman has a lot of wonderful small objects: marbles of all kinds and tiny stone animals of all species. I get to keep a few of them, and I’m trying to choose. A man with a toddler is nearby—I offer the boy a little giraffe (now a stuffed toy rather than stone) and a clear marble that reflects everything upside-down. He accepts the giraffe, but ignores the marble. I roll the marble on the floor, and it becomes much larger, the size of an earth globe. It is mostly clear, a slightly irregular glass sphere with sparkling lights in it. I pick it up (it’s heavy!) and feel its shape—finding it beautiful. Now, the man would like to have it, but I would like to keep it. I decide to give it to him.

Alchemical transformations occur in this dream: the stone giraffe becomes a stuffed toy; the marble, when rolled on the ground, becomes a sparkling glass globe; my desire to keep these treasures becomes a willingness to give them away. Gifts are passed on from generation to generation as the old, wise woman gives them to me, and I give them to the small boy and his young father. 

What are these gifts? They are simple, toy-like, and “wonderful”—the kinds of gifts we all need to inspire our growth and development. The child accepts a giraffe—an awkward yet graceful creature with a long neck, reaching for the heights—just as this child will eventually, inevitably, grow into the longing aspirations and awkward grace of adolescence. Instead of a hard stone animal, this giraffe has become a soft toy, supple and comforting. 

I’m a woman in late middle-age, so the gifts I choose (marble and giraffe) represent things that I can appreciate but know I can’t really keep. I recognize that the child should have the chance to choose, too. The marble is still mine for now—the spherical glass jewel that reflects everything within it upside-down… but then I roll it on the ground, on the earth, and it grows into an entire globe-like world, slightly irregular, imperfect, but full of sparkling light. It is heavy, too heavy for one person to carry forever. Even Atlas had difficulty carrying the whole earth; I can’t carry it for long. Much as I’d like to hold onto my important role of bearing the weight of this beautiful world, I recognize that the next generation needs to receive it from me. And so I give it away, just as I gave away the giraffe. Maybe now I’ve become the wise old woman myself, passing on the blessings I have in abundance.

The shifting shapes of our dreams give their gifts freely, playfully, to the holy alchemical fire that will transform them. We grow, age, choose, offer, receive. Let’s explore the transformative power of our dreams together, sharing the gold that results from our experimentation. I’ll be looking forward to the expanding possibilities of this column, and the dream-alchemy we can create together. 

[This article was originally published in the Winter, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

The Body’s Metamorphosis: Posture & Stance As Dreams

The countdown has begun, and my body knows it. In a few days, I’ll be going into the hospital for a major spinal surgery, and probably won’t be home again for several weeks. When I do get home, after hospitalization and rehabilitation, my body will not be the same; it will not be this body. Not only will I have nine fused vertebrae and a permanently straight spine, but I’ll also have a different stance relative to the world around me, other people, and myself. I will have to stand, sit, and lie down differently. I won’t be able to move in familiar ways, and I might be able to move in new ways, or in ways that I haven’t moved in years. Putting on my socks, washing my hair, feeding the cats, reading a book, hugging Holly and my friends, walking, eating, sleeping, maybe even dreaming… everything will be different. 

While my mind is trying to tell me that this is just a medical procedure, a repair job, no big deal—my body knows better. As soon as the surgery date was finally set after months of waiting, my body figured out what was about to happen and, like a dog who gets wind of the fact that she is about to be taken to the vet, my body reacted with visceral, physical fear—shivering, glancing around furtively for a place to hide, losing appetite and concentration, flinching at small sounds. While my mind tries to calm me down, my body remembers past surgeries and injuries. She knows what’s coming. 

It is impossible to separate myself from this body, and I wouldn’t want to. The body has a kind of clarity that is expressed in her instant response to cues in her environment. I depend upon the way she breathes and lives without the mind’s conscious guidance, the way she feels truths from the inside, the way she moves into action on my behalf, her courage and cowardice, her competence and clumsiness, her compassion and raw vulnerability. These qualities are the body’s language, and also fundamental aspects of the person I believe myself to be. So, no matter what my mind tries to tell me, when my body is changed by this surgery, there is going to be an essential change in who I am.

Posture and stance and gait make us recognizable to others, almost as much as facial features do. When I had extensive radiation treatments for cancer in my thirties, the molecular disruption began to work on my body gradually, over so many years that the physical changes were not much different from the ordinary changes of aging. Slowly, my muscles got weaker, my heart had to work harder to keep up, my shoulders slumped, and my neck eased into a curve. Then, three years ago, the changes sped up. My posture deteriorated noticeably, and I began to develop ways of moving to compensate for the wasting muscles in my upper body. Finally, about three months ago, the cascading changes became an avalanche. Within these few months, I’ve become someone who cannot hold up her head for more than a few moments at a time. I slouch, stumble (because the weight of my head throws me off balance), and peer up at people from an awkward angle, my head dangling or propped on my hand. I’m in pain most of the time, and exhausted all the time.

Physical symptoms can be communications from our deepest selves in much the same way as dreams. If a character in your dream is slumped and “cannot hold up her head,” this character will evoke certain instinctive responses and assumptions: She could be lazy, or embarrassed, or hiding something. Maybe she represents a part of me, or another person or situation, that can’t stand up and face the world. Similarly, I notice that the more my body’s posture crumbles, the more uncertain and insecure I feel. There’s even a strong sense of shame, humiliation. 

I’m seeing this punishing dissolution of my physical confidence as a difficult challenge, but also trying to see its positive, transformative potential as well. Just as I might ask “Why am I having this particular dream at this particular time?” I might also ask “Why is this happening to my body? Why is this happening now?” The immediate answer comes from my body herself. There’s the predictable but apt image of a chrysalis. The confident caterpillar must go into her private cocoon and completely disintegrate before becoming any kind of butterfly or moth. My body recognizes the metaphors of metamorphosis, and understands the imperative of letting go.

I’ve been on the threshold of big personal change for a long time, contentedly occupying my larval identity as well as I can. Although I’ve been learning and growing through many metamorphoses over the course of my lifetime so far, this one could be the most irrevocable (short of death). Physically as well as developmentally, I’ve reached the limits of my old posture, my stance, myself. I’m not sustainable anymore. There’s no more adapting to be done—my body will not, cannot, cooperate. So, along with all of the physical changes, I must lose or release my plans for myself—my ambitions, my certainties, my habits, my resistances, my needs, my resentments, my strong stride and my adroit rationalizations. Maybe some of this stuff will be returned to me in another form, maybe not. Metaphorically and literally, my stance is changing; my posture is changing; my gait is changing. My relationships with others are changing because, although my care for them is consistent, I don’t know (or care so much) how I appear to them. My slumped posture reflects a genuine desire to humble myself, to step back into the shadows, into the secret chrysalis where the deepest possible metamorphosis can happen. 

These are the last few days for my body to be as it is: in a state of flux and confusion. For years when I was younger, I dreamed of initiations. Then, for many more years, I dreamed of graduations. Now, the graduation dreams have stopped. Have I graduated? What happens next? Post-surgery, I’ll have a new body with a straight spine. Will I recognize myself in this new body? Will other see me differently when my body is upright, stiff and strange, when I can’t tilt my head back to watch the geese fly over, when I can’t dance fluidly or even sway to music, when I can’t bend down to look at a friend’s snapdragons, or wrestle and play with a puppy? Will my rigid posture make me a more rigid person? Or will I stand tall, with the grace and flexibility of a tree, spreading my branches in the sun? 

I’m going into this surgery not knowing what the outcome will be. I might have less pain and more mobility than I do now. Or, there might be more pain, more disability. The unknown stuns me. For now, I’m allowing myself to come apart, piece by piece, trusting the process, open to the possibilities, afraid and excited. 

Human beings have always had rites of passage for big, transformative life events, and I find that I’m instinctively following some ancient rituals of preparation. Yesterday, I got my hair cut very short so that it will be easier to wash it when I’m recovering—a practical motive, but one that recalls the ceremonies of initiates entering a monastery, or recruits going into the army. Cutting the hair is preparation for sacrifice—giving up the old stance, the old appearance, the old self, before the new one can come into being. When I was about to start chemotherapy 24 years ago, I had my head shaved (anticipating that it would all fall out anyway). Just before walking the Camino de Santiago three years ago, I got a short haircut like the one I’ve got now. I make my posture consistent with my experience: the shorn hair symbolizing vulnerability, humility, a kind of self-erasure. 

The night before surgery and the morning of surgery, I’ll shower with antibacterial soap, erasing my own familiar smell. When I’m leaving for the hospital, I will remove my necklace, my wedding ring. I will empty my pockets. I will carry nothing. I will say good-bye to Holly before I’m taken into the operating room. Under anesthesia, I will become nothing for a while. And, I will trust in my own restoration, in a new form, a new body.

It’s no coincidence that my largest scar will be on my back, where I will never see it directly. This kind of deep change is not my business—at least not the business of my busy self-defining self. Big change happens behind my back. My body will know it, though. And I think my soul knows it already. When I come out of surgery, there will be more space in me—more spaciousness because I will not be able to confine myself to what I was before. I will be emptier, and there will be more room for life itself to expand whoever I am. Going through such an experience does not make me special or important, but it makes me feel that I am precious. My whole life is precious, and includes every possible posture, every way of walking, every stance, every opening. I’m nothing but infinite transformation, infinite dissolution, infinite manifestation, infinite mystery.

This is true for you, too—whatever you think of yourself will change, and every change is a chance to expand and include. You are not what you think you are, yet somehow you know yourself. When you see me next, I will be different and so will you—yet somehow we will recognize each other.

[Note: Kirsten had her surgery on May 1st. This post was written a few days before. If you’d like to follow her recovery, you can go to the Caring Bridge website, enter “Kirsten Backstrom,” and you will find journal entries and updates from Kirsten and Holly there.]

Dream-Winching

By Tina Tau, Guest Blogger

This post is third in a series of four that I’m doing while Kirsten is walking the Camino. They’re all connected with a dream-infused trip I took to Tuscany in the fall of 2006, when my marriage was on its last miserable legs.

In the beautiful hill-town of Pari I had my own little apartment. I spent the sunny, brilliant days picking olives on a farm in the valley. But on November 1st, I stayed in my apartment to do dreamwork. It was cold and foggy, the great views over the countryside gone, swaddled in silence.

I had four dreams from four consecutive nights to look at. I hoped they’d help me with my big questions: Should I leave my husband? What will that do to our daughters? If I leave him, what will I do, where will I go? Will I be okay? 

I trusted (and still trust) the wise people inside me who write my dreams to have a better grip on what is happening than I consciously did. I’m such a master of denial and so attached to getting things “right” that I am often blind to what is true. My conscious inclinations have led me down many dead end roads into the mud; my dreams somehow haul me out. I wanted that kind of heavy dream-winching to come into play on that foggy Day of the Dead.

The first of the four dreams, as I reported in my last post, was oddly short and neutral, just a short conversation with a woman who was looking for work on my behalf. That dream bore fruit a few months later in a strange turn of events that landed me a good job.

The other three dreams were longer, richer, metaphorical and emotional. These are short summaries:

About to Die

I arrive at a doctor’s office/clinic. Things are strangely quiet, inside and out of the clinic; there is a sense of impending but unknown crisis. On a TV screen I see an announcer reading from a press release. The crisis is worldwide, originating in the Nile delta. Someone herds all of us down the street and into a school auditorium for shelter. The general atmosphere is calm, but it’s clear we’re all going to die. A man is very distressed, and I explain to him that death is safe.

Continue reading

More Monster Dreams

I’ve had monsters on my mind. I described the archetype of “the monster” in the last post (“Monsters In My Dreams”) as primal energy: the life force itself, taking the form of change. All change involves the death of something and the beginning of something else. The monster is the aspect of change we fear most—the ferocious energy with which the life force destroys in order to create.

Monsters take many forms in mythology, and in dreams. Some, as in the dream I described in “A Nightmare Is An Incomplete Dream,” are formless—or at least they remain unseen or undefined by the dream-ego (the “I” character in the dream). Other monsters are the semi-human creatures popularized in the media: zombies, vampires, werewolves, etc. Some are monstrous combinations or distortions of other creatures. Some are apparently ordinary things, but made horrifying by the context of the dream (as in some horror movies): an animated toy doll, a bunny, a flock of birds. Monsters are what we make of them. While their essential nature may be universal, the form they take is usually based on individual associations and projections. Continue reading

Monsters In My Dreams

In a recent post (“A Nightmare Is An Incomplete Dream”), I wrote about nightmares, and shared my own nightmare of “being hunted by a formless monster who tears people apart.” That post was about coping with the disturbing aspects of nightmares in general, and focused on some issues that might need to be addressed before exploring the metaphors and imagery within any particular nightmare. Now, I’d like to look at the central scary image of my dream—an image that is common in children’s dreams, and not uncommon in the dreams of adults: the monster.

mouthThe words I chose to describe the monster of my own dream say a lot about the significance that this particular monster has for me. It is “formless” and it “tears people apart.” Within the past year or so, I have come through a period of major depression. The experience of such depression is probably the scariest thing I can imagine—it is certainly “formless” (like being in great pain, but not being able to find any source for that pain), and it does “tear people apart.” Other aspects of the dream also point in this direction: I’ve been “held prisoner” by this monster in a “desolate house,” and when I am trying to escape, I am afraid to go to others for help, because I’m afraid that I’ll just bring the monster down on them.

Although there is no doubt that my personal associations create a credible case for identifying the monster in my dream with depression, it is important to note that this “solution” occurred to me very easily. According to Jeremy Taylor, “No dreams come just to tell you what you already know.” (That’s the 4th tool in his “Dreamwork Tool Kit.”) At the time of the dream, I already knew that I feared depression returning to hunt me, and I was (and continue to be) actively involved in exploring this fear in my waking life and in dreams. So, I looked further and deeper, and found other personal associations to the monster. No doubt, still more could be unfolded if I were to work on this dream with the help of a dreamworker, a friend, or a group.

The most exciting way to respond to a monster dream, however, is to go beyond the personal and explore it on a more universal, archetypal scale. Children have monster dreams even if their lives are relatively safe from threats to their well-being. Adults have monster dreams when they have no personal associations that seem particularly monstrous. Monsters appear in mythology regularly, and, as Joseph Campbell wrote: “Myths are public dreams. Dreams are private myths.”

In both mythology and dreams, across cultures, monsters are associated with primal energy—the original darkness we come from, and the darkness we fear will swallow us up at death (or if we “lose our minds,” or if the “light of reason” fails us). Whether this is the darkness of “empty” space before the big bang, of the “chaos” that precedes creation, of the grave, of the womb, or in the belly of the whale—this perceived darkness or chaos is a monster that threatens our belief that we are in charge, in control. Continue reading

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