My most disturbing dreams have not been the classic frightening nightmares—instead, I dream of being a bystander while someone else suffers. Instead of terror, there’s horror, and the agony of helplessness and vicarious pain. Just as with nightmares, the emotional impact is ugly, and, at first, it’s not especially useful to tell myself that there must be something valuable here, even though I know that disturbing dreams have been some of the most meaningful experiences in my life. I’ve witnessed the beauty and transformative power they can have again and again in working with my own dreams and those of clients and friends. Yet, I can’t plunge in with enthusiasm right away; I need to respect the real (awful!) feelings that such dreams arouse, and give them time.
When I had the following dream, it left me feeling ashamed and upset:
Burning Alive: A man, with the cocky over-the-top manner of a Master of Ceremonies from a television game show, keeps intruding on the scene. He has a large, toothy smile, and he speaks loudly and glibly about nothing, with a lot of fake laughter and fake friendliness. He assumes that everyone should pay attention to him, and is idiotically over-confident.
There’s a room with its floor covered in blazing hot coals, radiating waves of heat. A waist-high wooden wall, blocks the open double-doorway. Casually, the man climbs onto the wall, waves, and jumps into the room—showing off. Apparently someone else is inside there, working on the hot coals (raking them?)—but s/he must be wearing protective clothing, because s/he’s not harmed by the heat. The Master of Ceremonies, who jumped in without protection, has no chance of survival.
I’m horrified. There’s nothing that I can do, or that the person in the room can do, to help him—and he can’t help himself either. He must be in agony as he falls on the fiery coals, unable to get up or get out, slowly burning to death. I don’t actually see this, but I hear him shouting and imagine what is happening. Ironically, his voice sounds almost as stagey and artificially enthusiastic as he was when he was just showing off. First, he shouts, “It’s so hot!” An absurd understatement, in that loud, falsely cheery voice. Then, his cries seem more poignant and painful, though he’s still using this “game show” voice He says something that suggests he can’t stand the suffering: something like, “Please get on with it!” And even though there isn’t anguish in his tone, I feel the anguish for him and find this suffering unbearable. Please, let it be over soon. Let him die quickly.
I woke from this dream truly distressed—and the only meaning I could find in it at first was not at all encouraging. The waves of heat radiating from the room reminded me of the radiation treatments that are the source of my current neuro-muscular disease. Twenty-three years after my cancer treatments, the residual radiation is increasingly active in my body, “burning me alive.” Am I like that pathetic fellow, somehow causing my own pain? Have I been “showing off,” throwing away my life, leaping into trouble and then finding myself helpless—desperate, but somehow also ridiculous? Of course, this is not a fully-formed response, and certainly not a reasonable way to approach the dream or my own life situation. But it seemed consistent with the awfulness of the dream’s aftertaste. I wanted to feel compassion for that man (and for myself), yet all I could feel was pity, helplessness, and a strong desire to turn away from the suffering, to get it over with.
I didn’t want to remember this dream. I wrote it down, but tried to forget it. Then, a couple of days later, while I was taking a walk, it came back to me vividly—with a new title making a different impression. Instead of “Burning Alive,” the new title was much more specific, and somehow less painful: “The Self-Immolation of the Master of Ceremonies.” Why did this seem less painful? Well, “self-immolation” implies a kind of intention, a sacrifice rather than a silly, wasteful, careless act of self-harm. I associated “self-immolation” with the Vietnamese Buddhist monks who set fire to themselves in protest against the Vietnam War. Their actions were drastic, and not consistent with my own cultural ideas about what constitutes appropriate dissent… yet their intentions were genuinely meaningful. They gave their lives to draw attention to an injustice. Could the man in my dream be making a similarly meaningful statement? Also, the term “Master of Ceremonies” implies not careless foolishness but the possibility of “mastering” a situation that might represent a “ceremonial” offering. What if this ridiculous character is suffering for a reason? And what if his suffering is something other than it seems?
In a previous post [“Seeing With Fresh Eyes”], I mentioned two important “tricks” that I often use in working with difficult, unpleasant dreams: 1) look for anomalies and inconsistencies in the dream itself; and 2) question the dream ego’s perspective on the situation. In “The Self-Immolation of the Master of Ceremonies,” the anomaly and the questionable point-of-view are directly related; the most obvious inconsistency suggests a potential inaccuracy in the dream-ego’s perspective. The dream-ego assumes that someone who has fallen on hot coals must be in agony, yet the “Master of Ceremonies” himself does not sound distressed. He uses his “game show” voice to express what he is experiencing, and his emotion is not at all consistent with the suffering that the dream-ego expects him to experience.
So, what if the “burning alive” really is a ceremony, a game, or a show—a metaphorical ritual that involves the “burning up” of old patterns rather than a soul in torment?
With the strong emotion of my initial reaction to the dream, it was easy to assume that this egotistical fellow represented my own Ego-identity in its crudest form: trying to be the center of attention, and coming to grief as a result. But, in fact, the dream-ego (the “I” in the dream) is actually a much more accurate representative of how my own Ego-identity (the “I” in my waking life) sees the world. The Ego, in Jungian terms, is not necessarily egotistical—it is just the essential lens through which the much larger Self perceives and understands experience. We can’t reject the Ego, because we need an Ego-identity to function in the world, but we shouldn’t take her perspective as the whole truth. The dream-ego, like my waking identity, does her best to interpret what she’s experiencing. She understands what’s happening according to its impact on her, so when the Master of Ceremonies behaves as he does, she reacts by judging and defining him as “idiotically over-confident”—his leap onto the burning coals is “ridiculous” and, from her perspective, inevitably results in his pathetic annihilation. Yet, she also wants to be a good person, and finds her own inability to help, or to feel authentic compassion, shameful and painful.
If you want to find the Ego in a dream, look for the one who’s suffering, because the Ego always suffers when reality doesn’t conform to what the Ego believes is important. In this dream, the man who leaps onto hot coals doesn’t seem to be suffering—but the dream-ego is clearly in a lot of pain. She can’t bear what she thinks is happening. In my waking life, my own experience of fluctuating emotions and deteriorating health often causes me suffering. Yet there’s more to me than this suffering Ego, and more to my experience than my Ego can imagine.
Who is the Master of Ceremonies, then? Who is running this “game show”? Dreams have more to offer than the Ego can grasp—but the wholeness of my Self includes all of it, and my Ego can learn from the other characters in the dream. In this dream, I suspect the Master of Ceremonies is not just an exaggerated Ego figure, but a Trickster.
Tricksters in world mythology are not usually very appealing characters, and their stories can make an ugly and painful first impression. Characters like Coyote in some Native American traditions, and Loki in Norse traditions, have all the worst qualities of the Ego: they are malicious, greedy, lustful, and brutally selfish; they are clever, even brilliant at times, but they always end up being too smart for their own good and coming to a bad end. Other Trickster figures may seem more benign, especially when they are represented in cartoons for children, through characters like Bugs Bunny or the Cat in the Hat. But all of them are, at the very least, cocky—and, to some degree, this cockiness is self-defeating. Tricksters are always getting into trouble. While the Master of Ceremonies in my dream seems merely annoying rather than mean, his bad behavior (“showing off”) seems to be his downfall. But wait…
Tricksters are not just bad guys. They may be brought down by their own machinations (often explosively, grotesquely, or pathetically) but, like Wile E. Coyote, they are always up and at it again in the next scene. They always bounce back, and the inadvertent consequences of their actions are often massively transformative.
Tricksters are game changers; the world is recreated in their wake. When Coyote steals fire for his own selfish reasons, his tail ends up in flames, and as he flees in panic, the sparks he scatters form the stars in the sky. By accident, new energies are released, new life begins, new possibilities are opened up. We human beings are the epitome of the Trickster, with our greedy self-interest, our crazy, impulsive, ego-driven yet creative technological advances, we harm and transform ourselves and the world around us. The Trickster leads the way to catastrophe, but also, potentially, initiates whatever comes next.
In my dream, the Master of Ceremonies leaps onto the hot coals, showing off. The dream-ego interprets this as a wretched mistake. Meanwhile, another unseen person, who is impervious to the heat, bears witness. The MC should be in terrible pain, yet his expressions of dismay are unconvincing, and it’s primarily the dream-ego who seems to suffer. Another dream anomaly is that the wall which separates the blazing coals from the rest of the world is made of wood. Wouldn’t a wooden wall catch fire?
If the wall is made of wood, then perhaps the fire is not as hot as it’s supposed to be? Or else, that wall represents an illusion of protection; sooner or later, the wall will burn and the fire will be right here, where I must experience it directly. The fire is inescapable, not only for the MC (who plunged right into it!) but for me. For every mortal being, protections are only temporary. It’s inevitable that we will all encounter experiences that are too painful, “too hot to handle,” as we lose loved ones, physical health, and ultimately our own lives.
The dream-ego is caught up in the horror of the dream’s apparently disastrous momentum, but she never actually sees what is going on in the fiery furnace of that room. If I actually get closer, overcoming my revulsion and dismay… If I actually look past that anomalous wooden wall… What might I see? I imagine the Master of Ceremonies, the Game Show Host, would not be writhing in agony. In fact, he wouldn’t be there at all. The “someone else in the room” could turn out to be another face of the Trickster, with no need for “protective clothing,” impervious to the pain, but raking those coals in order to make the room ready for a ceremonial Fire Walk. These “too hot” horrors could become a way of transforming pain into something more meaningful.
Perhaps my own Ego-identity can step into that room, and walk across it, without judgement or suffering. Perhaps she is willing to change, to let her old life be burned away, and to walk into a new world, born out of the flames of losses, illness, and uncertainty. Continue reading
Metka Cuk, a creative and inspiring dreamworker and artist, has been interviewing other dreamworkers and dreamers, introducing us to the depth and breadth of the dreaming community. These interviews are posted on her delightful website, “Dream Owls: A Place to Talk About Your Dreams.”
